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“No Exchange: Russian Modernism and the Problem Difference (Mayakovsky, Malevich).” In: Spuren der Avandgarde: Theatrum oeconomicum. (Theatrum Scientiarum VII), eds. H. Schramm et al. (Berlin: de Gruyter, 2011 [in press]
“Antoni Muntadas’ Administrative Modernism.” Catalogue for the Antoni Muntadas Retrospective. Museo Nacional Centro de Arte Reina Sofía, Madrid (in press, 2011)
“Radical Inactivism: Gilles Deleuze on Inert Motion in Francis Bacon’s Painting (Logique de la Sensation).” In: Sabine Flach (ed.), Synästhesie in de Kultur (in press, 2011)
"Bureaucratic Poems: Curating and Storytelling in the Late 1960's". Manifesta Journal 9 (July 2010)
“Autonomy Degree Zero In Eastern European Art (Galeria Foksal’s ‘Introduction to a General Theory of Place’).” Umění 56 (2010), 227-236
“The Artist is Present: Marina Abramovic at MoMA,” ARTMargins (2010)
"Hot/Cold: Jussi Kivi's Collections". Framework: The Finnish Art Review 10 (June 2009)
"Dreams Behind Bars: Miami's 'Russian Show',", ARTMargins (2008) (http://www.artmargins.com/)
„La Bureaucratie de l’Inconscient. Le début du surréalisme dans le bureau.“ Le surréalisme et l’économie du rêve. Wolfgang Asholt / Theo Siepe [eds.] (Paris:Octon 2007), pp. 45-59.
“‘Passer à l’Acte’: Policing (in) the Office. Notes on Industry Standards and the Grosze Polizeiausstellung of 1926. The Universal Police, and After” in Klaus Mladek, ed. Police Forces: A Cultural History of an Institution (Boston: Palgrave, 2007), pp. 54-74.
"Film as Drawing: The Revolution as a Problem of Perspective in Christoph Weber’s The First Minutes of October (2007)". In: Christoph Weber, The First Minutes of October, p. 33-56
Sven Spieker, "The Homeless Symptom: Archive and Trauma in Boris Mikhailov," in: Anna Brodsky, Mark Lipovetsky, Sven Spieker (eds.), in The Imprints of Terror. The Rhetoric of Violence and the Violence of Rhetoric in Modern Russian Culture, Vienna: Wiener Slawistischer Almanach, Sonderband 64, 2006, pp. 191-212.
Vom Umhertasten in der Kunst: El Lissitzkys Demonstrationsräume zwischen Labor und Büro. Inge Münz-Koenen/Justus Fetscher [eds.], Pictogrammatica. Die visuelle Organisation der Sinne in den Medienavantgarden (1900-1938), Bielefeld: Aisthesis Verlag, 2006, pp. 197-217
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